Classical Art History


Feature Writer: Suzanne Hill
Suzanne Hill, Suzanne Hill

A new generation of arrière-garde art enthusiasts is rediscovering the complexities and traditions of classical art and rethinking an unexamined commendation of modernism. Be on the cutting-edge of an appreciation for influential periods of art history - Medieval, Renaissance, 19th century, early-20th-century – and their links to today.

Join me in rooted yet critical considerations of the masters of art history and the diverse cultures that produced them. We'll talk about portraits, landscapes, interiors, madonnas, symbols, and individual masterpieces.

Prehistoric and archaic art; Egyptian, Celtic, Viking, Gothic, Greek and Hellenistic art; Medieval and Renaissance art; Byzantine, Classical, Baroque, Rococo, Romantic and Academic art – look for it in local museums and look for it here.

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Suzanne Hill

Subjects of Spanish Paintings

In: Baroque & Rococo Art

What are the subjects doing in the paintings of these 16th and 17th-century Spanish masters; where can visitors see these paintings today? more...

Subjects of Paintings

In: Baroque & Rococo Art

What are the subjects doing in the paintings of 16th- and 17th-century Italian artists Titian and Rosa and where can visitors see these paintings today? more...

Early Renaissance Painters

In: Renaissance Art

What are the subjects doing in the paintings of these 15th-century Dutch and Italian masters and where can art enthusiasts see these paintings today? more...

Italian Artists Nicknames

In: Renaissance Art

Famous Western artists in 13th to 17th centuries have celebrated nicknames more famous than their given names. more...

Renaissance Artist Nicknames

In: Renaissance Art

European artists in 14th to 16th centuries have celebrated shortened names more famous than their given names. more...

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Suzanne Hill

Jun 29, 2008

Can Art and Conservatism Co-Exist?

I’m on a listserv of creative types that keeps me up-to-date on the local arts scene.


In a recent discussion of a political nature [which I usually ignore], their insistence that George Bush is a conservative led me to state that Bush is not a representative of any conservative. The list participants talked about the speciousness of labels like “liberal” and “conservative” or “right” and “left.”



One of the artist-writers made this defense of liberalism (here I paraphrase):



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Parenting advocates are concerned with “non-negotiables” like wearing helmets or putting children in car safety seats and keeping teen-agers from smoking and required that children call home to say where they are. Such non-negotiables exist because people naturally try to get out of these restraints. Things like foul language or stealing may be tolerated, but matters of life and death are not negotiable.

Liberals fear that if the power of the government is reduced, then these and even larger non-negotiable issues like global warming, endangered species, rainforest depletion, hunger, and AIDS will not be adequately addressed. The free market is driven by personal gain and not by an altruistic concern over issues which could ruin life on Earth.



This does not mean that our current system of big government is working to remedy these problems, only that disempowering that government could make things worse.

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I think this writer has presented thoughtful comments. I’d like to see the writer, however, show more of an understanding of what it means to live in a free society that includes personal responsibility and individual choice. I’m confused why the writer would want to see more of something that admittedly isn’t working. I’m saddened that the writer believes that government controls are “altruistic.”

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